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Town ball

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The term town ball, or townball, describes the bat-and-ball, safe haven games played in North America in the 18th and 19th centuries, which were similar to rounders and were precursors to modern baseball. In some areas - such as Philadelphia and along the Ohio River and Mississippi River - the local game was called Town Ball. In other regions the local game was named "base", "round ball", "base ball", or just "ball." The players might be schoolboys in a pasture with improvised balls and bats, or young men in organized clubs. As baseball became dominant, town ball became a casual term to describe old fashioned or rural games similar to baseball.
Contents
1 Rules
2 Town Ball and the Doubleday Myth
3 Philadelphia Town Ball
4 Town Ball in the West
5 The Massachusetts Game
6 Old Fashioned Base Ball
7 Famous Town Ball Players
8 Modern Townball (Upper Midwest)
9 See also
10 External links
11 References
//
Rules
The rules of town ball varied, but distinguishing characteristics most often cited were:
The number of players on a team was usually more than nine.
There was no foul territory; all struck balls were in play.
In many versions, base runners could be put out by hitting them with the ball - a practice known as "soaking" or "plugging".
Generally the infield was a square or rectangular shape, with four bases or pegs. Similarly to baseball, the fourth base was called home base, as it was the final goal of a runner. However, differently from baseball - and more like rounders - the striker would stand between first and fourth base, at a kind of fifth base called the striker's stand. The thrower stood in the middle of the square and delivered the ball to be hit by the striker. If the struck ball were caught in mid-air or on the first bounce, the striker was called out. If no one caught it, the striker became a runner and advanced as many bases as possible, with the option to stop at any base as a safe haven.
In most varieties of the game, fielders could hit the runner with the ball and if he were not on a base he would be called out. But in some, the cross-out was used: the fielder threw the ball so as to cross the runner's path, between him and the next base. A runner who reached fourth base safely was said to have achieved a round or tally.
The concept of innings was used: the team with the bat was "in", until put "out" by the opposing side. If one-out, all-out was the rule, the defensive team only needed to retire one man to end the inning. However, the game might also be played as all-out, all-out, meaning that every player had to be retired (as in cricket) before sides were changed. Matches might be played for an agreed-upon number of innings, or until one side had achieved a requisite number of tallies.
Town Ball and the Doubleday Myth
Townball's role in the origins of baseball has been debated since the early 1900s, and the two sides of the debate stem from a friendly quarrel between an editor and his publisher. In the 1903 edition of Spalding's Official Base Ball Guide, editor Henry Chadwick, who was born in England, wrote "Just as the New York game was improved townball, so was townball an improved form of the two-centuries-old English game of rounders."
Albert Goodwill Spalding, star player, sports equipment entrepreneur, and publisher of the Spalding Guide, asserted that baseball's origins were American. Spalding wrote an article titled "The Origin and Early History of Baseball" for the January 15, 1905 Washington Post. He described the game of Four Old Cat, in which four throwers and four batsmen stand in four corners. "Some ingenious American lad" got the idea of placing one thrower in the center of the square, wrote Spalding. "This was for many years known as the old game of Town Ball, from which the present game of baseball no doubt had its origin, and not from the English children's picnic game of 'Rounders'."
Later, in 1905, Spalding organized a panel of experts known as the Mills Commission to investigate the issue. Abner Graves, whose testimony was the basis of the Mills Commission claim that Abner Doubleday invented baseball in 1839, named townball as the "old" game that the boys of Cooperstown, New York played before baseball. . In the townball game that Graves described, the batsman struck the tossed ball with a flat bat, and ran toward a goal fifty feet away, and back again. Graves said there were generally twenty to fifty boys in the field, which generated many collisions among those trying to catch the ball.
Philadelphia Town Ball
Most accounts of a game called Town Ball were recorded many years later as reminiscences or memoirs. It is more difficult to find contemporary descriptions. One of the earliest was a New York Clipper article dated Sept. 19, 1857, reporting a ame of Town Ball at Germantown,...(and so on)

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Beck

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Beck
Beck in concert, playing his primary guitar, a Vintage Danelectro Silvertone. September 29, 2006.
Background information
Birth name
Bek David Campbell
Born
July 8, 1970 (1970-07-08) (age38)Los Angeles, California, U.S.
Genre(s)
Alternative rock
Instrument(s)
Vocals, guitar, keyboards, bass, drums, harmonica, percussion, sitar, banjo, slide guitar, glockenspiel, vocoder, kalimba, melodica, Game Boy
Years active
1988 present
Label(s)
DGC, Interscope, Geffen, XL, Bong Load
Associated acts
Danger Mouse, Cat Power, The Dust Brothers, The White Stripes, Beastie Boys, Johnny Marr, Butch Vig
Website
www.beck.com
Notableinstrument(s)
1962 Vintage Silvertone Danelectro
Beck Hansen (born Bek David Campbell, July 8, 1970) is an American musician, singer-songwriter, and multi-instrumentalist known by the stage name Beck. With a pop art collage of musical styles, oblique and ironic lyrics, and postmodern arrangements incorporating samples, drum machines, live instrumentation and sound effects, Beck has been hailed by critics and the public throughout his musical career as being amongst the most creative and idiosyncratic musicians of 1990s and 2000s alternative rock.
He rose to underground popularity with his early works, which combined social criticism (as in "MTV Makes Me Want to Smoke Crack" and "Deep Fried Love") with musical and lyrical experimentation. He first earned wider public attention for his breakthrough single "Loser", a 1994 hit.
Beck has cited The Cars, Bob Dylan, Mantronix, Gary Wilson, Bruce Haack, the Beastie Boys, Pussy Galore, Willie Dixon, Bill Broonzy, Daniel Johnston, and Sonic Youth among his influences. Two of Beck's most popular and acclaimed recordings were Odelay (1996) and Sea Change (2002). Odelay was awarded Album of the Year by American magazine Rolling Stone and by UK publications NME and Mojo. Odelay also received a Grammy nomination for Best Album.
Contents
1 Early life
2 Career
2.1 Independent releases
2.2 Mellow Gold and Odelay
2.3 Mutations and Midnite Vultures
2.4 Sea Change
2.5 Guero and The Information
2.6 Modern Guilt
3 Musical style
4 Art career
5 Personal life
5.1 Scientology
6 Appearances in media
7 Discography
7.1 Major label albums
8 References
9 External links
//
Early life
Beck was born in Los Angeles, California to David Campbell, a Canadian musician, and Bibbe Hansen, a visual artist. His maternal grandfather was Al Hansen, a visual collage artist of the Fluxus school of art. His paternal grandfather was a Presbyterian minister, while his maternal grandmother was half Jewish; Beck himself is a Scientologist, as are his wife and his father. Beck's mother also has Norwegian and Swedish ancestry. When his parents separated, Beck stayed with his mother and brother in Los Angeles, where he was influenced by the city's diverse musical offeringsverything from hip hop to Latin music and his mother's art scenell of which would later reappear in his recorded and published work. After dropping out of high school in the mid-1980s, Beck traveled to Europe and developed his musical talent by busking. In Germany, he spent time with his grandfather Al Hansen. The late 1980s found him in New York City, involved in the punk-influenced anti-folk music movement.
Career
Independent releases
In 1988, Beck recorded a cassette entitled Banjo Story, which has since become available in bootleg form. He returned to Los Angeles at the turn of the decade. To support himself, he took a variety of low-paying, dead-end jobs and lived in a shed, all the while continuing to develop his music. Beck also sought out (or snuck onto) stages at venues all over Los Angeles, from punk clubs to coffee shops and busking on the streets. During this time, he met Chris Ballew (founder of The Presidents of the United States of America). They performed on the streets as a duo for a while. Some of his earliest recordings were achieved by working with Tom Grimley at Poop Alley Studios, a part of WIN Records.
The founders of Bong Load Custom Records, Tom Rothrock, Rob Schnapf, and Bradshaw Lambert discovered Beck, signing him to their fledgling label. "Loser", a collaboration between hip hop nuance producer Carl Stephenson and Beck, created a sensation when radio host Chris Douridas played the song on Morning Becomes Eclectic, the flagship music program from Santa Monica College radio station KCRW. That exposure and a subsequent live performance on the show July 23, 1993, led to a bidding war among labels to sign Beck. Eventually, he chose Geffen Records, who offered him terms that included an allowance for the release of independent albums while under contract. Of all the record labels to offer Beck...(and so on)

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